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Charles Zuill
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BIENNIAL ARTISTS Theresa Airey Jill Amos Raine Meredith Andrews Louisa Bermingham Flannery Frank Chiappa Vernon N. Clarke William Collieson Dana Cooper Daniel DeSilva Al Dounouk Amy Evans Vaughan Evans John A. Gardner Molly Godet Shelly A. Hamill Katherine Harriott Margie Harriott Scott Hill Antoine A.R. Hunt Cynthia Kirkwood Peter R. Lapsley Kok Wan Lee Ian MacDonald-Smith Miles Manders Kevin Morris Elizabeth Mulderig Susan Amy Pearson Lisa-Anne Rego Fiona Rose Rodriguez-Roberts Gail Santucci-Palacio Alan C. Smith Edwin M.E. Smith Scott Stallard Amanda Temple Charles Godet Thomas Caroline Troncossi Martha Vaughn Marion Watlington-Vorley Tracy Williams Sharon R. Wilson Charles Zuill |
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Like the scientist he once dreamed of becoming, Charles Zuill, one of Bermuda’s foremost and original artists, has spent a lifetime observing, exploring and experimenting with art. Regarded as one of the ‘founding fathers’ of modernist painting in Bermuda, Dr. Zuill trained at the Atlantic Union College in Massachusetts, the Byam Shaw School of Art in London, UK and later studied at Rochester Institute of Technology and New York University. While he was an art professor at Bermuda College in the 1980s he led a movement away from the landscape tradition with his abstract and conceptual works. His 20-year study of stepped gradient resulted in the often austere but technically intricate Gray Scale works, which involved up to 256 carefully mixed gradients of black and white paint and took up to six months each to complete. “It takes a kind of obsessive, compulsive character like me to even think to do something like this”, Zuill has written. “The gray scale was a tool that allowed me to experience within myself various aspects of seeing. It was a study about seeing.”
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