Theresa Airey
American, b.1942



Roman God, 2006,archival digital print
12 x 18 inches.Collection of the artist

BIENNIAL ARTISTS

Theresa Airey

Jill Amos Raine

Meredith Andrews

Louisa Bermingham Flannery

Frank Chiappa

Vernon N. Clarke

William Collieson

Dana Cooper

Daniel DeSilva

Al Dounouk

Amy Evans

Vaughan Evans

John A. Gardner

Molly Godet

Shelly A. Hamill

Katherine Harriott

Margie Harriott

Scott Hill

Antoine A.R. Hunt

Cynthia Kirkwood

Peter R. Lapsley

Kok Wan Lee

Ian MacDonald-Smith

Miles Manders

Kevin Morris

Elizabeth Mulderig

Susan Amy Pearson

Lisa-Anne Rego

Fiona Rose Rodriguez-Roberts

Gail Santucci-Palacio

Alan C. Smith

Edwin M.E. Smith

Scott Stallard

Amanda Temple

Charles Godet Thomas

Caroline Troncossi

Martha Vaughn

Marion Watlington-Vorley

Tracy Williams

Sharon R. Wilson

Charles Zuill

Theresa Airey, author of Creative Photo Printmaking, Creative Digital Printmaking, Digital Photo Art and Beginner's Guide to Digital Photo Art, has shown her work extensively with separate exhibitions in 17 U.S. states.

Abroad, she has held major shows in Spain, Bermuda, the Dominican Republic and Mexico. Her work is in several permanent collections including the prestigious Pretenkabinet of the Rijksuniversiteit in Leiden, Holland, The Polaroid Collection of Boston, The Fuji Collection (an international travelling exhibit), and the Altos De Chavon Centre in Santo Domingo.

Theresa has been published in Digital Photo Art Magazine, Petersonís Photographic Magazine, Camera Magazine, Darkroom Techniques Magazine, Darkroom and Creative Camera Techniques, The Image Maker, Photo-Op, and Photo Techniques. She holds a MFA in Photography and Fine Art and has instructed photography at the University of Maryland, Baltimore Campus, Towson State University and at the Maryland Institute, College of Art. She teaches private workshops in her studio in Monkton and hosts workshops each year around the globe.

Artist's statement

"These prints originated from hands-on collages using traditional artistic techniques. After photographing the collages, I printed them onto a hand-made paper to give them an "old world" feel. Because of the "hands on" artistic techniques, they have a tactile-ness not found in a straight digital collage, which I feel gives them yet another dimension and creates more depth and drama within the image."
Recent highlights

2007 - cover image, Photography in the 21st Century by Delmar
Learning

2004 - Bermuda: The Quiet Years, 1883-1953 involving the restoration of 150 glass plate and nitrate-based negatives taken of turn-of-the-century Bermuda

2002 - Principle photographer, "Gentleman, Joe Lee: 50 Years of Golf Design" by Ron Whitten

Work featured in:
Polaroid Transfers, Polaroid Manipulations, Mat, Mount and Frame It Yourself, Infra-Red Photography, Light and Lens by Robert Hirsch and Mood, Ambience and Dramatic Effects by Joe Meehan.

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